Comment on “Aesthetic conceptions and cultural symbols in traditional Chinese painting”

Authors

  • Tianyu Dong Shinawatra University

Keywords:

Comment

Abstract

Commented Article reference: GUAN, Yan. Aesthetic conceptions and cultural symbols in traditional Chinese painting. Trans/Form/Ação: Unesp Journal of Philosophy, v. 47 n. 4, e0240066, 2024. Available at: https://revistas.marilia.unesp.br/index.php/transformacao/article/view/14704.

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Author Biography

Tianyu Dong, Shinawatra University

Shinawatra University, Samkhok, Pathum Thani 12160 – Thailand. ORCID: https://orcid.org/0009-0009-9974-2568.

References

CHEN, Z. D. Yushantang Collection of Chinese Calligraphy, Painting and Literary Consciousness. Guilin: Guangxi Normal University Press, 2017.

GUAN, Y. Aesthetic conceptions and cultural symbols in traditional Chinese painting. Trans/Form/Ação: Unesp Journal of Philosophy, v. 47 n. 4, e0240066, 2024. Available at: https://revistas.marilia.unesp.br/index.php/transformacao/article/view/14704.

LIANG, L. X. Liang Liu Xie of the Southern Dynasties. The Literary Mind and the Carving of Dragons. Guilin: Lijiang Publishing House, 2021.

LIU, Y. Book of Jin. Beijing: Beijing Yanshan Publishing House, 2010.

ZONG, B. H. Aesthetics and Artistic Conception. Jiangsu Phoenix Literature and Art Publishing House, 2017.

Received: 01/11/2023 - Accept: 10/11/2023 - Published: 27/02/2024

Published

2024-02-26

How to Cite

Dong, T. (2024). Comment on “Aesthetic conceptions and cultural symbols in traditional Chinese painting”. TRANS/FORM/AÇÃO: Revista De Filosofia, 47(4), e02400101. Retrieved from https://revistas.marilia.unesp.br/index.php/transformacao/article/view/15634

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