La inconsciencia de la ideología disciplinaria femenina – análisis de los síntomas de los tres poemas de Qingping Tune desde la perspectiva del feminismo

Autores/as

Palabras clave:

Los tres poemas de Qingping Tune, Feminismo, Lectura sintomática, Disciplina

Resumen

En este artículo, desde la perspectiva del feminismo, a través del análisis de la herencia y la innovación de la poesía palaciega de Li Bai en su creación, la autora plantea dos técnicas y su síntoma en los tres poemas de Qingping Tune: heredar la sensacionalización del palacio -poesía de estilo e innovando en las técnicas mitológicas y legendarias de la poesía de estilo palaciego. A partir de estas dos técnicas, la inconsciencia del fetiche y la fantasía mitológica de la diosa se revela a partir del “vacío” de la imagen misma, para lograr el efecto de investigación de un análisis integral de la ideología disciplinaria femenina en la literatura cortesana patriarcal de los aristócratas.

Descargas

Los datos de descargas todavía no están disponibles.

Biografía del autor/a

Ziliang Huo, Southwest University of Science and Technology

School of Literature and Art, Southwest University of Science and Technology, SLA, SWUST, Sichuan Mianyang – China. ORCID: https://orcid.org/0009-0006-0413-5406.

Citas

ALEX, C. Althusser’s Marxism. Taipei: Yuanliu, 1990.

DAVID, M. Marxism after Marx. Beijing: Eastern, 1986.

DIAMOND, I.; QUINBY, L. Feminism and Foucault:Reflections on Resisitance. Boston: Northeastern University Press, 1988.

ELIADE, M. The Universe and History - The Myth of Eternal Return. Translate by R.Yang. Taipei: Lianjing, 2000.

FU, X. C. Identifying Li Bai as a Hanlin Bachelor. Literary Review, v. 2000, n. 5, p. 5-11, 2000.

GU, M. D. The Cultural Unconscious: A Deep Cross-Cultural Ideological Mechanism. Journal of Xiamen University (Arts & Social Sciences), v. 2013, n. 4, p. 1-10, 2013.

GUI, Q. On the Aesthetic Mechanism of Court - style Poetry, Journal of School of Chinese Language and Culture Nanjing Normal University, v. 4, p. 136-142, 2004.

GUO, P. Classic of Mountains and Rivers·King Mu Biography. Changsha: Yuelu,2006.

HAL, F. The Art of Fetishism: Notes on Dutch Still Life, in Fetishism as Cultural Discourse. Ed. Emily Apter and William Pietz. Ithaca, N.Y., 1993.

HAN, J. S. Identifying “Zhi”, “Tiao”, “Meng”, “Xu” and “Dao” in the Oracle Bone Script. Yindu Journal, v. 2021, n. 2, p. 18-21, 2021.

KATE, M. Sexual Politics. New York: Avon, 1970.

LACAN, J. The four fundamental concepts of psychoanalysis. Translated by A. Sheridan. London: Penguin Books, 1979.

LAURA, M. Death 24x a Second: Stillness and the Moving. London: Reaktion Books, 2006.

LI, Z. L. The Research of the Traditional Chinese Opera Singers’ Gender Performing, Shanghai: Shanghai Theatre Academy, 2002.

LOUIS, A. Lire Le Capital. Beijing: Central Compilation & Translation, 2001.

LU, Q. L. The Collection of Poetry in the pre-Qin, Han, Wei, Jin, Southern and Northern Dynasties. Beijing: Zhonghua Book, 1983.

LU, Z. Cultural Unconscious and L2 Writer’s Identity Construction—A Case Study on Ha Jin. Comparative Literature: East & West, v. 4, n. 2, p. 156-170, 2020.

PENG, D. Q. All Poetry of Tang Dynasty. Shanghai: Shanghai Classics, 1986.

SONG, M. Q. The Complete Collection of Li Taibai's Works. Chengdu: Sichuan Classics, 1985.

SONG, Y. X. The Archetype of the Queen Mother of the West and Its Transmission in the Ancient Civilizations of the World. Ethnic Arts Quarterly, v. 2017, n. 02, p. 71-83, 2017.

TIAN, X. F. Beacon Fire and Shooting Star: The Literary Culture of the Liang, Beijing; Zhonghua Book, 2010.

WANG, G. W. The Ancient Bamboo Book Chronicles: A Collection and Proof of the Current Bamboo Book Chronicles. Shenyang: Liaoning Education, 1997.

WANG, H. T.; SHI, H. M.; YANG, Y. Accelerates the Development of Chinese Dance. Great Stage, v. 2010, n. 07, p. 102-103, 2010.

WANG, J. Supplementary Notes. Beijing: Zhonghua Book, 2019.

WANG, Q. Study of Emperor Hanwu Biography. The Documentation, v. 1998, n. 1, p. 3-28, 1998.

WANG, T. H. Poems of Han and Tang Dynasties. Journal of North University of China (Social Science Edition), v. 2006, n. 04, p. 50-52, 2006.

WANG, Z. Q. The Mythological Prototype’s Explanation of the Queen Mother of the West and Folklore Meaning. Journal of Qinghai Nationalities Institute (Social Sciences), v. 2005, n. 01, p. 136-139, 2005.

WU, W. Z. The Complete Song Poetic Discourse. Nanjing: Hoenix Press, 1998.

YAN, K. J. All the Upper Three Dynasties, Qin, Han and Three States, Six Dynasties: Book 1. Beijing: Zhonghua Book,1958.

YAN, K. J. All Articles of Liang Dynasty. Beijing: The Commercial Press, 1999.

YE, S. X. A Cross-Cultural Study of the Gaotang Goddess. The Journal of Humanities, v. 1989, n. 06, p. 97-104, 1989.

YE, S. X. Archetypes of Beauty Fantasy Dreams in Chinese Literature. Literary and artistic contention, v. 1992, n. 05, p. 80-95, 1992.

YU, K. K. The Aesthetics of Rhythmic Poetry. Beijing: Sanlian, 2008.

YUAN, X. P. The Collection and Annotation of Tao Yuanming's Works. Beijing: Zhonghua Book, 2011.

YUAN, Y. “Dancing with Foucault” – Foucault’s Discourse Theory and Feminist Literary Criticism. Seeking Truth, v. 40, n. 05, p. 109-115, 2013.

ZHANG, G. Q. Dragon Totemism & Harmony of Chinese Peoples. Journal of Cangzhou Teachers’ College, v. 2005, n. 01, p. 58-60, 2005.

ZHANG, K. Study of the Becoming of European Still-life. Nanjing: Nanjing University of the Arts, 2009.

ZHAO, T. Y. The “World System”: Empires and World Systems. World Philosophy, v. 2003, n. 05, p. 2-33, 2003.

Received: 24/05/2023 - Approved: 08/08/2023 - Published: 25/01/2024

Publicado

24-01-2024

Cómo citar

Huo, Z. (2024). La inconsciencia de la ideología disciplinaria femenina – análisis de los síntomas de los tres poemas de Qingping Tune desde la perspectiva del feminismo. TRANS/FORM/AÇÃO: Revista De Filosofia, 47(2), e0240059. Recuperado a partir de https://revistas.marilia.unesp.br/index.php/transformacao/article/view/14639