The art of photography in China: some observations on its aesthetic connotation
DOI:
https://doi.org/10.1590/0101-3173.2024.v47.n5.e02400153Palabras clave:
Photographic art, Aesthetic annotation, Philosophical thought, Aesthetic valueResumen
Photography, as a tool, mainly presents the relationship between people and objects through the use of artistic elements, such as light, shadow and color in images. The creation of photography is an activity that requires inspiration and skills. It requires photographers to carefully and deeply observe and think about the overall structure of the work, in order to take good photos that are both artistic and thoughtful. The development and popularization of photography in today’s society cannot be underestimated for their impact on public aesthetics and humanistic thinking. This paper aims to analyze the aesthetic connotation of Chinese photography and explore its aesthetic standards and values. The philosophical thoughts in Chinese photography are explored, and their reflections and perspectives on life and society are analyzed. The relationship and mutual influence between aesthetic connotations and philosophical thoughts in Chinese photography are explored, and their significance and influence on photography works are analyzed, so as to better understand and appreciate the uniqueness of Chinese photography. Chinese photography is a unique and diverse form of artistic expression that reflects China’s rich cultural heritage and social development. By emphasizing harmony, the integration of painting elements, storytelling and appreciation of nature, Chinese photography provides a profound aesthetic experience and conveys deeper meanings of unity, tranquility, and the relationship between people and the environment.
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Received: 07/09/2023 – Approved: 13/11/2023 – Published: 18/04/2024
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