Pensamiento cultural y elementos filosóficos del canto y la danza en las películas indias.

Autores/as

  • Yue Yang Sichuan Normal University
  • Ensi Zhang Sichuan Normal University

DOI:

https://doi.org/10.1590/0101-3173.2023.v46n4.p315

Palabras clave:

Indian film, Singing and dancing, Classical aesthetics, Religious philosophy

Resumen

Yang y Zhang sostienen que el arte es la encarnación de la cultura y el espíritu de una nación. El canto y el baile son dos de las primeras y más ricas formas de arte humano. No son sólo el producto de la experiencia sensible y emocional, sino también la trascendencia de la vida cotidiana. Como característica más distintiva de las películas indias modernas, el arte de cantar y bailar hereda las ideas estéticas y la filosofía religiosa tradicionales de la India que se pueden encontrar en el entorno audiovisual moderno. Mantiene una clara impresión nacional, a raíz de la internacionalización. Yang y Zhang buscan mostrar que este tipo de arte es de gran importancia para explorar la nacionalidad del arte chino de cantar y bailar.

Biografía del autor/a

Referencias

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Received: 09/02/2023

Approved: 01/04/2023

Publicado

11-09-2023

Número

Sección

Artículos y Comentarios

Cómo citar

Pensamiento cultural y elementos filosóficos del canto y la danza en las películas indias. (2023). TRANS/FORM/AÇÃO:/Revista/De/Filosofia, 46(4), 315-328. https://doi.org/10.1590/0101-3173.2023.v46n4.p315