Language and Technique from Heidegger

the presupposition of Exhaustive Interlinguistic Translatability

Authors

  • Guillermo Moreno Tirado Universidad Compultense de Madrid

DOI:

https://doi.org/10.1590/0101-3173.2021.v44dossier.05.p75

Keywords:

Language , Modern technique, Exhaustive interlinguistic translatability, Linguistics, Heidegger

Abstract

This paper exposes the connection between the modern or metaphysical conception of language and the essence of language from Heideggerian philosophy with mechanised, ordinary or instrumental technique and the essence of modern technique, that is, the belonging between both phenomena (in the ordinary aspect of both) and the exclusion or crisis that one generates in the other and vice versa. This putting into crisis will be observed where the essence of language cannot be internalised to its ultimate consequences by the essence of technique, and that same essence of language causes the essence of technique to break down and, therefore, illuminate where only technology is observed. To this end, we will question the presupposition of exhaustive interlinguistic translatability or of communicability without remainder, inherent in the modern and metaphysical conception of language.

Author Biography

  • Guillermo Moreno Tirado, Universidad Compultense de Madrid

    Pesquisador na Universidad Complutense de Madrid – Departamento de Filosofía Teorética, Madrid – Espanha.

References

BAUDRILLARD, J. Simulacros e Simulação [1981] Lisboa: Relógio d’Água, 1991.

BORGES-DUARTE I. Imagen e Imaginación en la fundación de lo nuevo. In: SÁENZ, M. C.; CALVO, P. T. (ed.). A las IMÁGENES mismas. Fenomenología y nuevos médios. Madrid: Ápeiron, 2019. p.175-196.

FLUSSER, V. Filosofia da Linguagem [1966]. Disponível em: https://monoskop.org/images/3/37/Flusser_Vilem_1966_Filosofia_da_linguagem.pdf Acesso em: 8 dez. 2020.

FLUSSER, V. Natural:mente. Vários Acessos ao Significado de Natureza. São Paulo: Duas Cidades, 1979.

FLUSSER, V. On writing complexity and the technical revolutions. Interview in Osnabrück, European Media Art Festival . 1988. https://www.youtube.com/watch?v=lyfOcAAcoH. |Acesso em: 8 dez. 2020.

FLUSSER, V. Ensaio sobre a Fotografia: para uma Filosofia da Técnica. Lisboa: Relógio D’Água, 1998a.

FLUSSER, V. Ficções Filosóficas. S. Paulo: Editora da Universidade de S. Paulo, 1998b.

FLUSSER, V. Standpunkte: Texte zur Fotografie. v. VIII. Göttingen: European Photography, 1998c.

FLUSSER, V. Writtings. Ed. A. Ströhl, Trad. Erik Eisel. Minneapolis/London: University of Minnesota Press, 2002.

FLUSSER, V. Do Inobjeto. ARS, São Paulo, v. 4, n. 8, 2006.

FLUSSER, V. A não-coisa 2 [1989]. O Mundo Codificado. R. Cardoso (Org.), trad. pt. de Raquel Abi-Sâmara. S. Paulo: Cosac Naif, 2007.

FLUSSER, V. O universo das imagens técnicas: elogio da superficialidade. S. Paulo: Annablume, 2009.

FLUSSER, V. Uma Filosofia do Design: A Forma das Coisas. Lisboa, Relógio D’Água, 2010.

HEIDEGGER, M. La question de la Technique [1954]. Essais et Conférences. Trad. fr. de André Préau. Paris: Gallimard, 1958.

SARTRE J.-P. A Imaginação [1936]. Lisboa: Difel, 1988.

Recebido: 08/01/2021 - Aceito: 08/3/2021

Published

2021-05-17 — Updated on 2022-07-01

How to Cite

Language and Technique from Heidegger: the presupposition of Exhaustive Interlinguistic Translatability. (2022). Trans/Form/Ação, 44(Special issue 1), 75-96. https://doi.org/10.1590/0101-3173.2021.v44dossier.05.p75