A inconsciência da ideologia da disciplina feminina – análise dos sintomas dos três poemas de Qingping Tune na perspectiva do feminismo

Autores

DOI:

https://doi.org/10.5072/0101-3173.2024.v47.n2.pe0240059

Palavras-chave:

Os Três Poemas da Música Qingping, Feminismo, Leitura Sintomática, Disciplina

Resumo

Neste artigo, a partir da perspectiva do feminismo, através da análise da herança e inovação da poesia palaciana de Li Bai em sua criação, apresentamos duas técnicas e seus sintomas nos três poemas de Qingping Tune: herdar a sensacionalização do palácio poesia de estilo palaciano e inovação nas técnicas mitológicas e lendárias da poesia de estilo palaciano. Com base nessas duas técnicas, a inconsciência da fantasia mitológica do fetiche e da deusa é revelada a partir do “vazio” da própria imagem, de modo a alcançar o efeito de pesquisa de uma análise abrangente da ideologia da disciplina feminina na literatura cortês patriarcal dos aristocratas .

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Biografia do Autor

  • Ziliang Huo, Southwest University of Science and Technology

    School of Literature and Art, Southwest University of Science and Technology, SLA, SWUST, Sichuan Mianyang – China. ORCID: https://orcid.org/0009-0006-0413-5406.

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Received: 24/05/2023 - Approved: 08/08/2023 - Published: 25/01/2024

Publicado

24-01-2024

Como Citar

A inconsciência da ideologia da disciplina feminina – análise dos sintomas dos três poemas de Qingping Tune na perspectiva do feminismo. (2024). Trans/Form/Ação, 47(2), e0240059. https://doi.org/10.5072/0101-3173.2024.v47.n2.pe0240059