A inconsciência da ideologia da disciplina feminina – análise dos sintomas dos três poemas de Qingping Tune na perspectiva do feminismo

Autores

Palavras-chave:

Os Três Poemas da Música Qingping, Feminismo, Leitura Sintomática, Disciplina

Resumo

Neste artigo, a partir da perspectiva do feminismo, através da análise da herança e inovação da poesia palaciana de Li Bai em sua criação, apresentamos duas técnicas e seus sintomas nos três poemas de Qingping Tune: herdar a sensacionalização do palácio poesia de estilo palaciano e inovação nas técnicas mitológicas e lendárias da poesia de estilo palaciano. Com base nessas duas técnicas, a inconsciência da fantasia mitológica do fetiche e da deusa é revelada a partir do “vazio” da própria imagem, de modo a alcançar o efeito de pesquisa de uma análise abrangente da ideologia da disciplina feminina na literatura cortês patriarcal dos aristocratas .

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Biografia do Autor

Ziliang Huo, Southwest University of Science and Technology

School of Literature and Art, Southwest University of Science and Technology, SLA, SWUST, Sichuan Mianyang – China. ORCID: https://orcid.org/0009-0006-0413-5406.

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Received: 24/05/2023 - Approved: 08/08/2023 - Published: 25/01/2024

Publicado

24-01-2024

Como Citar

Huo, Z. (2024). A inconsciência da ideologia da disciplina feminina – análise dos sintomas dos três poemas de Qingping Tune na perspectiva do feminismo. TRANS/FORM/AÇÃO: Revista De Filosofia Da Unesp, 47, e0240059. Recuperado de https://revistas.marilia.unesp.br/index.php/transformacao/article/view/14639

Edição

Seção

Vol. 47, n. 2 - Perspectivas femininas no pensamento filosófico (2024)