Sobre os elementos de filosofia religiosa e misticismo na dança folclórica chinesa
DOI:
https://doi.org/10.1590/0101-3173.2024.v47.n5.e02400252Palavras-chave:
Dança Folclórica Chinesa, Filosofia Religiosa, Elementos do Misticismo, Dança Primitiva, Relacionamento PatriarcalResumo
A dança folclórica chinesa, como uma expressão vibrante de arte, serve como um canal para a rica tapeçaria da cultura folclórica, da tradição histórica, da filosofia religiosa e do misticismo. Este estudo aprofunda-se nesses elementos da dança folclórica chinesa, analisando suas conotações culturais e seu significado espiritual. Ele começa com as origens da dança folclórica, explorando as características, os conceitos e os tipos culturais da dança, e estabelece sua interconexão. Além disso, examina o papel da filosofia religiosa e do misticismo no enriquecimento do conteúdo e da forma da dança, destacando seu profundo valor social e espiritual. Pesquisas demonstraram que a compreensão dos elementos religiosos e místicos da dança folclórica chinesa é essencial para a preservação cultural e a educação. A integração desses elementos, nos currículos educacionais e nos esforços de conservação cultural, pode cultivar a compreensão da geração mais jovem sobre o patrimônio cultural intangível da China e manter as tradições vivas e relevantes. Isso não apenas enriquece a experiência educacional, mas também promove a continuação e o desenvolvimento da cultura tradicional chinesa.
Downloads
Referências
ASTAPOV, S. The contradictory unity of faith and reason in Christian theoretical thought. HTS: Theological Studies, v. 75, n. 4, p. 1-9, 2019.
BAKHTIYOR, K. The interaction of ancient religious beliefs elements of nature (based on shamanic materials). Academicia - An International Multidisciplinary Research Journal, v. 10, n. 12, p. 1266-1271, 2020.
BODY, J. From China’s Southwest Borders, Minority Dances, Songs, and Instrumental Music of Yunnan. Ethnomusicology, v. 48, n. 2, p. 310-312, 2004.
CHAN, C. S. C. Hegemony and agency in staged mah meri indigenous music and dance performances for tourists in Malaysia. Journal of Southeast Asian Studies, v. 23, n. 1, p. 132-155, 2018.
DOMÉNECH, J. L. U.; NESCOLARDE-SELVA, J. A.; SEGURA-ABAD, L. SABÁN, M. Dialectical logic for mythical and mystical superstructural systems. Kybernetes, v. 48, n. 8, p. 1653-1680, 2019.
DONG, Q. F. The Disenchantment and Reenchantment of the “Heaven” Concept in Yan Fu’s Tianyan Thought. Philosophical Analysis, v. 11, n. 5, p. 89-100, 2020.
GALLEGO‐ALVAREZ, I.; RODRÍGUEZ‐DOMÍNGUEZ, L.; VALLEJO, J. M. An analysis of business ethics in the cultural contexts of different religions. Business Ethics: A European Review, v. 29, n. 3, p. 570-586, 2020.
GHOSH, P.; JAWAHAR, I. M.; RAI, A. Do men and women experience work engagement and job satisfaction to the same extent in collectivistic, patriarchal societies. International Journal of Manpower, v. 41, n. 1, p. 52-67, 2020.
HE, R. ‘World Religion’: Rethinking the Spread and Evolution of Religion. Fayin, v. 411, n. 11, p. 51-54, 2018.
HUANG, J. Y.; GAO, J. Chinese Exploration of Dance Form Analysis Methods. Ethnic Art Research, v. 34, n. 5, p. 144-152, 2021.
HUANG, Z. Q. On the North-South Differences in Chinese Han Folk Dance. Wen Yuan (Primary School Edition), v. 2020, n. 007, p. 226-227, 2020.
JASPER, D. Reflections on the maturity of religion and theology in literature: A cultural dialogue. Christianity & Literature, v. 68, n. 1, p. 131-140, 2018.
JIN, J.; MARTIN, R. Exploring the past to navigate the future: examining histories of higher dance education in China in an internationalized context. Research in Dance Education, v. 20, n. 2, p. 225-240, 2019.
LADOUS, R. God and the soul. The philosophical and religious concepts of Lamarck. Revue D Histoire Ecclesiastique, v. 100, n. 1, p. 366-367, 2005.
LI, F. Study on the characteristics of dance art of minorities in West Hunan. Frontiers in Art Research, v. 2, n. 6, p. 44-50, 2020.
LI, H. G. Exploration and Innovation of Teaching Methods for Chinese Intangible Cultural Heritage Folk Dance - Review of “Teaching Methods for Chinese Ethnic Folk Dance. Chinese University Science and Technology, v. 387, n. 11, p. 117-118, 2020.
LIAO, M. J.; ZHENG, S. Q. Research on the Construction of Intellectual Property Collaborative Protection System for Inheritance and Innovation of Intangible Cultural Heritage in Folk Dance. Comparative Study on Cultural Innovation, v. 7, n. 4. p. 174-177, 2023.
MENG, Q. G. The expression and evolution of nationalism in the history of Chinese spring festival gala dance. Highlights in Art and Design, v. 3, n. 2, p. 21-23, 2023.
MO, Y. L.; ZHAO, J. Y.; TANG, L. P. Religious beliefs inspire sustainable HOPE (Help Ourselves Protect the Environment): Culture, religion, dogma, and liturgy — The Matthew Effect in religious social responsibility. Journal of Business Ethics, v. 184, n.3, p. 665-685, 2023.
PARKS, I. Dances with Vowels. Critical Survey, v. 23, n. 2, p. 112-114, 2011.
PENNYCOOK, G.; CHEYNE, J. A.; KOEHLER, D. J.; FUGELSANG, J. A. On the belief that beliefs should change according to evidence: Implications for conspiratorial, moral, paranormal, political, religious, and science beliefs. Judgment and Decision making, v.15, n. 4, p.476-498, 2020.
RAHAPSARI, S. The quest of finding the self in the Bedhaya: Unravelling the psychological significance of the Javanese sacred dance. Culture & Psychology, v. 28, n. 3, p. 413-432, 2022.
RAMIZ, R. New perspective for the philosophy of religion: New era theory, religion and science. Philosophical Investigations: English, v. 10, n. 12, p. 918-873, 2020.
RAŠIĆ, M. Olivera Mladenovic and folk dances in the context of Serbian ethnology. Glasnik Etnografskog Institute, v. 66, n. 1, p. 53-72, 2018.
RAYMOND, G. V. Religion as a tool of influence. Contemporary Southeast Asia 4, v. 2, n. 3, p. 346-371, 2020.
SHU, Y. Z. Looking at the cultural inheritance of folk dance from the core of the Yellow River delta. Journal of Lanzhou Institute of Education, v. 34, n. 2, p. 56-58, 2018.
ŞUŞU, P. On the educational potential of folk dance. Review of Artistic Education, v. 15, n. 1, p. 127-150, 2018.
TANAKA, I. The relationship between man and gods, as viewed in terms of village religious-ceremony organizations: China and Japan compared. Transactions of the Japan Academy, v. 72, n. 3, p. 49-50, 2018.
TURSUNOVNA, S. O.; MUNISXON, G. The subject of dhikr in the teachings of tasawwuf by hoja muhammad porso. Central Asian Journal of Literature, Philosophy and Culture, v. 2, n. 3, p. 13-17, 2021.
YANG, D. Y., Li, X. S., FENG, L. M. JIANG X. W. The book of changes as the origin of earth science. Quaternary Sciences, v. 23, n. 2, p. 218-224, 2003.
ZARRABI-ZADEH, S. The ‘mystical’ and the ‘modern’: Mutual entanglement and multiple interactions. Studies in Religion/Sciences Religieuses, v. 49, n. 4, p. 525-545, 2020.
ZHANG, D. Chinese residents’ philosophy and religion in contemporary China and North America. Journal of Contemporary Educational Research, v. 5, n. 2, p. 21-32, 2021.
ZHENG, Y. L. Research on the regional cultural characteristics of folk dance in Fujian and Taiwan. Journal of Jimei University (Philosophy and Social Sciences Edition), v. 021, n. 4, p. 118-123, 2018.
Received: 25/04/2024 – Approved: 19/06/2024 – Published: 23/08/2024
Publicado
Edição
Seção
Licença
Copyright (c) 2024 Trans/Form/Ação
Este trabalho está licenciado sob uma licença Creative Commons Attribution 4.0 International License.
Este é um artigo publicado em acesso aberto sob uma licença Creative Commons.
Este é um artigo de acesso aberto distribuído sob os termos da Creative Commons Attribution License.