Philosophical manifestation in dance: bridging movement and thought

Auteurs-es

  • Feifan Wang Jiangsu Normal University

DOI :

https://doi.org/10.1590/0101-3173.2024.v47.n5.e02400248

Mots-clés :

Dance and Philosophy, Bridging Movement, Dance Movement, Philosophy of Movement, Body Language

Résumé

Dance showcases sophisticated skills and rhythms while embodying profound philosophical thought, bridging physical expression and self-realization. However, it faces challenges like superficial understanding, diminished expressive confidence and weak integration with philosophy. This paper begins by introducing the fundamentals of dance and its movement techniques. Then, it delves into the dialectical relationship between dance and philosophy, examining both the artistic and creative dimensions of dance. It further explores how philosophical ideas manifest within dance, enhancing its expressive power. The research highlights the significant benefits of integrating dance with philosophical inquiry, noting its crucial role in deepening the understanding of the value of dance, facilitating personal growth and invigorating creative processes. This integration not only addresses the current challenges by enriching the theoretical framework for dance, but also provides practical insights that can elevate both the practice and appreciation of dance. By fortifying the bond between dance and philosophy, this study aims to foster a more comprehensive understanding of dance, encouraging a more thoughtful and innovative approach to dance creation and providing a robust theoretical foundation for future explorations in both dance and philosophical studies.

Téléchargements

Les données de téléchargement ne sont pas encore disponible.

Biographie de l'auteur-e

  • Feifan Wang, Jiangsu Normal University

    Jiangsu Normal University, Xuzhou, 221000 - China. ORCID: https://orcid.org/0009-0007-2513-731X.

Références

AKINLEYE, A. Orientation for communication: Embodiment, and the language of dance. Empedocles: European journal for the philosophy of communication, v. 4, n. 2, p. 101-112, 2012.

BANNERMAN, H. Is Dance a Language? Movement, Meaning and Communication. Dance Research: The Journal of the Society for Dance Research, v. 32, n. 1, p. 65-80, 2014.

BRANNIGAN, E. Talking back: What dance might make of Badiou’s philosophical project. Performance Philosophy, v. 4, n. 2, p. 354-373, 2018.

BUCKLAND, T. All dances are ethnic, but some are more ethnic than others: some observations on dance studies and anthropology. Dance Research, v. 17, n. 1, p. 3-21, 1999.

CARROLL, N. History and the Philosophy of Art. Journal of the Philosophy of History, v. 5, n. 3, p. 370-382, 2011.

CARTER, C. L. On the state of dance philosophy. Journal of Aesthetic Education, v. 55, n. 3, p. 106-121, 2021.

DAVIES, D. Dancing around the issues: prospects for an empirically grounded philosophy of dance. The Journal of Aesthetics and Art Criticism, v. 71, n. 2, p. 195-202, 2013.

GAO, Q.; CHENG, Y. F. From “body in sports philosophy” to “body in sports”: phenomenological criticism and reconstruction of the body research paradigm in sports philosophy. Sports Science, v. 39, n. 4, p. 29-38, 2019.

GEORGIOS, L. The transformation of traditional dance from its first to its second existence: the effectiveness of music-movement education and creative dance in the preservation of our cultural heritage. Journal of Education and Training Studies, v. 6, n. 1, p. 104-112, 2018.

GUO, H. F. The shaping of female images in Chinese classical dance - taking “dan jiao”, “deep courtyard”, and “tang concubines” as examples. Art Fashion: Theoretical Edition, v. 1, n. 1, p.169-170, 2014.

HARRIS, L.; COOPER–THOMAS, H.; SMITH, P.; SMOLLAN, R. Reclaiming the social in socialization: A practice‐based understanding of newcomer adjustment. Human Resource Development Quarterly, v. 31, n. 2, p. 193-211, 2020.

HAUGEN, M. R. Investigating music-dance relationships: A case study of Norwegian telespringar. Journal of Music Theory, v. 65, n.1, p. 17-38, 2021.

HUSSERL, E. The essential Husserl: Basic writings in transcendental phenomenology. Bloomington, Indiana, USA: Indiana University Press, 1999.

LAKE, D.; JOEL, W. Practical, epistemological, and ethical challenges of participatory action research: A cross-disciplinary review of the literature. Journal of Higher Education Outreach and Engagement, v. 22, n. 3, p. 11-42, 2018.

LI, J. M. Discussion on dance and philosophy. Journal of Beijing Dance Academy, v. 78, n. 4, p. 53-58, 2009.

LJUBOJEVIC, A. L.; POPOVIĆ, B.; BIJELIC, S.; JOVANOVIC, S. Proprioceptive training in dance sport: effects of agility skills. Turkish Journal of Kinesiology, v. 6, n. 3, p. 109-117, 2020.

MARKULA, P. The intersections of dance and sport. Sociology of Sport Journal, v. 35, n. 2, p. 159-167, 2018.

MCKEON, O. Florence treadwell boynton in progressive era Berkeley: Early modern dance and California’s political unconscious. Dance Chronicle, v. 43, n. 3, p. 243-269, 2020.

OPARINA, N. A.; NEDELNITSYNA, U. V.; LEVINA, I. D.; MALTSEVA, O. V.; KAITANDJYAN, M. G. Folk dance as a means of formation and creative education of primary school children personality. PalArch’s Journal of Archaeology of Egypt/Egyptology, v. 17, n. 6, p. 731-742, 2020.

OSINTSEVA, N. V. Philosophy of the dance: When the dance is more than art. The Social Sciences (Pakistan), v. 11, n. 29, p. 7036-7039, 2016.

PURSER, A. Dancing intercorporeality: A health humanities perspective on dance as a healing art. Journal of Medical Humanities, v. 40, n. 2, p. 253-263, 2019.

RAVETTO-BIAGIOLI, K. Whose dance is it anyway?: property, copyright and the commons. Theory Culture & Society, v. 38, n. 1, p. 101-126, 2021.

RODRIGUES, I. M.; BERNARDINA, G. R. D.; SARRO, K. J.; BARONI, G.; CERVERI, P.; SILVATTI, A. P. et al. Thoracoabdominal breathing motion pattern and coordination of professional ballet dancers. Sports biomechanics, v. 18, n. 1, p. 51-62, 2019.

TONG, Y.; WANG, Q. Starting from “body aesthetics”: philosophical positioning of contemporary dance education. Contemporary Dance Art Research, v. 6, n. 2, p. 90-94, 2021.

VALÉRY, P. Philosophy of the dance. Salmagundi, n. 33/34, p. 65-75, 1976.

YU, P. Saying “dance”: a survey of the primitive origin of Chinese dance (part 1). Dance, v. 1, p. 50-55, 2020.

ZHANG, Z.; JU, F. Y. A Philosophical interpretation of the concept of physical literacy in ancient China. Sports Science, v. 40, n. 9, p. 89-97, 2020.

ZHU, W. Analysis of the emotional expression of rhythm in dance movements. Northern Music, v. 38, n. 6, p. 234-235, 2018.

ZHUANG, W. L.; WANG, C. Y.; CHAI, J. X.; WANG, Y. G.; SHAO, M.; XIA, S. Y. et al. Music2dance: Dancenet for music-driven dance generation. ACM Transactions on Multimedia Computing, Communications, and Applications (TOMM), v. 18, n. 2, p. 1-21, 2022.

Received: 06/05/2024 – Approved: 25/06/2024 – Published: 23/08/2024

Publié

2024-08-22

Comment citer

WANG, Feifan. Philosophical manifestation in dance: bridging movement and thought. TRANS/FORM/AÇÃO: Revista de Filosofia, Marília, SP, v. 47, n. 5, p. e02400248, 2024. DOI: 10.1590/0101-3173.2024.v47.n5.e02400248. Disponível em: https://revistas.marilia.unesp.br/index.php/transformacao/article/view/15916.. Acesso em: 22 nov. 2024.