El desarrollo de la connotación del espíritu estético del arte chino moderno
DOI:
https://doi.org/10.1590/0101-3173.2024.v47.n6.e02400299Palabras clave:
Principios del siglo XX, El pensamiento artístico chino, El flujo de pensamientos, La idea de las bellas artes tradicionalesResumen
This study analyzed the historical background of Chinese art thought in the early 20th century, the idea of “integration of China and the West”, and the painters and their works that have had a significant impact on it. By studying the trend of Chinese art popularization and its impact on student education in art schools, it revealed the impact of the changes in Chinese art thought in the early 20th century on modern art thought. At the beginning of the 20th century, the evolution of Chinese art thought underwent a reform of art thought. It has influenced many painters’ creative spirit and techniques , and has influenced the development of modern Chinese art thought. The research into the early 20th-century evolution of Chinese art thought reveals a pivotal era of diversification in aesthetic values and ideas among various artists, propelling Chinese art into a vibrant period of flourishing styles and philosophies.
Descargas
Referencias
CHIEF, V. D. A. Arthur Danto, the End of Art, and the Philosophical View of History. Journal of the Philosophy of History, v. 13, n. 2, p. 235-256, 2019.
CLARK, J. O. Aesthetic Experience, Subjective Historical Experience and the Problem of Constructivism. Journal of The Philosophy of History, v. 7, n. 1, p. 54, 2013.
DESAI, D. Educating for Social Change through Art: A Personal Reckoning. Studies in Art Education, v. 61, n. 1, p. 10-23, 2020.
HARRIET, T.; JUDITH, T. ‘Off Path, Counter Path’ Contemporary Walking Collaborations in Landscape, Art and Poetry. Critical Survey, v. 29, n. 1, p. 105-132, 2017.
JIANG, X. Y. Kang Youwei on the Subjection of Women. Journal of Chinese Philosoph, v. 49, n. 3, p. 227, 2023.
KHOLMURATOVICH, M. K.; MARDANAQULOVICH, A. S.; RAVSHANOVICH, J. R. Methodology of Improving Independent Learning Skills of Future Fine Art Teachers (On the Example of Still Life in Colorful Paintings). International Journal of Psychosocial Rehabilitation, v. 24, n. 05, p. 285-288, 2020.
LIU, H. N. On the Similarities and Commonalities of Traditional Chinese and Western Art. Popular Literature, v. 10, p. 55-56, 2021.
LI, S. F. “Paintings Do Not Know the Arrival of Old Generals”: On the “Zen Nature” in Jin Nong’s Painting Art. China Ethnic Expo, v. 7, p. 183-185, 2020.
LI, Y. Y. Kang Youwei’s Cultural and Ethical Thought and Its Contemporary Value. Academic Search for Truth and Reality, v. 2, p. 86-92, 2022.
NOEL, C. History and the Philosophy of Art. Journal of the Philosophy of History, v. 5, n. 3, p. 370, 2011.
ODILJONOVICH, M. A. In the Fine Arts-The Genres of Interior, Landscape, Still Life and Portrait. International Journal on Orange Technologies, v. 3, n. 12, p. 35-40, 2021.
RAVSHANBEKOVICH, M. R. Didactic principles in fine art teaching and factors of using the spiritual heritage of great thinkers in fine art lessons. Open Access Repository, v. 8, n. 11, p. 56-60, 2022.
REITER, A.; GEIGER, I. Natural Beauty, Fine Art and the Relation between Them. Kant-Studien, v. 109, n. 1, p. 72-100, 2018.
SKOV, M.; NADAL, M. A Farewell to Art: Aesthetics as a Topic in Psychology and Neuroscience. Perspectives on Psychological Science, v. 15, n. 3, p. 630-642, 2020.
WANG, B. Aesthetics, Morality, and the Modern Community: Wang Guowei, Cai Yuanpei, and Lu Xun. Critical Inquiry, v. 46, p. 497, 2020.
WANG, F. The Source of Cai Yuanpei’s “Aesthetic Education” Thought and Its Significance for Contemporary Education Practice. Culture Journal, v. 1, p. 182, 2023.
YANG, Y. S. From Improvement to Revival: A Study of Xu Beihong’s Thought and Theory of Chinese Art Discourse Mode. Art Education Research, v. 21, p. 65-70, 2022.
YU, Y.; WANG, L. Japanese factors in the study of modern China art history-taking Jiang Danshu and Pan Tianshou as examples. Art Science and Technology, v. 33, n. 9, p. 36-39, 2020.
ZHU, J. S. Looking Back on the 70 Years of Chinese Art Studies: Modern and Contemporary Art. Art Observation, n. 10, p. 13-18, 2019.
Submission: 07/05/2024 – Decision: 25/06/2024 - Revision: 22/07 /2024 – Publication: 15/10/2024
Publicado
Número
Sección
Licencia
Derechos de autor 2024 TRANS/FORM/AÇÃO: Revista de Filosofia
Esta obra está bajo una licencia internacional Creative Commons Atribución 4.0.
Este es un artículo de acceso abierto publicado bajo una licencia Creative Commons.