Especulação filosófica na música tradicional chinesa
DOI:
https://doi.org/10.1590/0101-3173.2024.v47.n4.e0240069Palavras-chave:
Música tradicional chinesa, Confucionismo, Taoísmo, Budismo, Conceitos estéticosResumo
A civilização chinesa sempre foi conhecida como a civilização dos rituais e da música, com a música desempenhando um papel significativo ao longo das dinastias. O desenvolvimento da música tradicional chinesa não pode ser separado da injeção de diversas ideias filosóficas e de consciência social. Quer se trate do sistema de música ritual da Dinastia Zhou, das Cem Escolas de Pensamento durante o período dos Reinos Combatentes, das discussões metafísicas das Dinastias Wei e Jin ou da filosofia budista das Dinastias Han e Tang, cada época desempenhou um importante papel catalisador na formação da teoria estética da música tradicional chinesa. Este artigo resume o processo histórico de desenvolvimento da cultura musical tradicional chinesa. Analisa também o processo de construção da filosofia estética da música tradicional chinesa sob a perspectiva das três grandes escolas filosóficas: o confucionismo, o budismo e o taoísmo. Estas três escolas tiveram o impacto mais profundo na música tradicional chinesa.
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Received: 30/05/2023 - Approved: 08/08/2023 - Published: 25/01/2024
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