Espírito filosófico no drama tradicional chinês

Autores

Palavras-chave:

Drama Chinês, Filosofia, Arte, Cultura

Resumo

O drama chinês tem origem em formas primitivas de canto e dança e, desde então, evoluiu para uma forma de arte abrangente com uma rica história. É considerada uma das três culturas dramáticas antigas, ao lado do drama grego antigo e do drama sânscrito indiano. Diferentes nações têm culturas diferentes com características nacionais únicas, enquanto os conceitos filosóficos personalizados desempenham um papel importante na formação da cultura. A ciência, a literatura, a arte, a educação, pertencentes à categoria cultural, são todas guiadas e influenciadas por pensamentos filosóficos, e a arte dramática é a mesma. Este artigo discute e analisa os pensamentos filosóficos por trás da cultura dramática tradicional chinesa.

Biografia do Autor

  • Rong Liu, Shanxi Normal University

    Department of Drama and Film Studies, Shanxi Normal University, Shanxi 030000 – China. ORCID: https://orcid.org/0009-0008-7550-5480.

Referências

BAO, T. An analysis of the thought of loyalty in traditional Peking drama. New Century Theater, v. 2021, n. 01, p. 22-27, 2021.

CHIN, A., XIU, Y. English Translation and Commentary on the Analects of Confucius. Guilin: Guangxi Normal University Press, 2019.

FANG, Y., WANG, G. The ethical connotation and contemporary value of the Confucian thought of “Harmony of Man and Nature”. University Education, v. 150, n. 12, 173-175, 2022.

GAO, M. Pipa Ji. Taiyuan: Shanxi Ancient Books, 2010.

GUO, M. The ideological connotation and Contemporary significance of Confucian “Righteousness”. Humanities World, v. 2021, n. 11, p. 21-26, 2021.

HAN, X. On the influence of Buddhist and Taoist thoughts on traditional Chinese drama: An investigation centered on Shanxi. Chinese Religion, v. 2023, n. 02, 62-63, 2023.

HEGEL. Lectures on the history of philosophy - volume 1. Translated by L. He, L. and T. Wang. Beijing: Commercial Press, 2021.

HUANG, Y.; LI, H. On the Buddhist “Enlightenment” theme in dramas of the late Ming Dynasty. Theater Art, v. 2022, n. 01, p. 90-100, 2022.

KONG, J. Zhongyong. Edited by J. Jiao. Nanchang: 21st Century, 2015.

LI, H.; LIN, H. “Loyalty” and “righteousness” in pre-qin Confucianism. Confucian Temple Guozijian Collection, v. 2019, n. 00, p. 191-200, 2019.

LI, Z. Discussion on the study of historical materials of ancient drama literature. Literary Heritage, v. 703, n. 05, p. 149-153, 2022.

LIANG, Y. On “balance” in ancient Chinese philosophy and the development of drama art. Drama House, v. 410, n. 02, p. 6-8, 2022.

REN, D. Little people, great roles: an analysis of the key role of supporting characters in Yuan Zaju. Chinese Drama, v. 789, n. 02, p. 76-77, 2023.

SANG, D. Discussion on Loyalty, Filial Piety, Integrity, and Righteousness. Morality and Civilization, v. 04, p. 48, 2013.

SCHOOL OF CHINESE DRAMA (ed.) Annotated by Y. Su and P. Niu. Wen Zhaoguan. Beijing: Chinese Drama, 1962.

TONG, Y. (ed.) Jingchai Ji. Harbin: Heilongjiang People’s, 1989.

WANG, B. Rereading and reflection on Confucianism and Taoism’s “Heaven and Man Unity”. Zhongzhou Academic Journal, v. 265, n. 01, p. 12-117, 2019.

WANG, G. A study of song and yuan drama. Beijing: Chaohua, 2018.

WU, J. The philosophical spirit of Chinese drama. Chinese Peking Drama, v. 2022, n. 11, 30-35, 2022.

WU, X. The philosophical basis of ancient Chinese drama. Journal of Xi’an Jiaotong University (Social Science Edition), v. 01, p. 66-70, 2008.

XU, J.; ZHANG, X. On the influence of Confucianism on traditional Chinese folk drama. Drama Literature, v. 2016, n. 04, p. 76-80, 2016.

XU, L. The evolution and origin of drama new year pictures in late Qing Dynasty and folk “Loyalty” culture. Sichuan Drama, v. 2018, n. 12, p. 98-104+108, 2018.

ZHANG, N. (Ed.). The Analects of Confucius. Zhengzhou: Henan People's Publishing House, 2019.

ZHAO, P. (Ed.). The Classic of Filial Piety. Changchun: Jilin University Press, 2010.

ZHOU, H. Xu Fuguan on “Book of Filial Piety” and filial piety. History of Chinese Philosophy, v. 128, n. 06, p. 97-103, 2022.

Received: 31/05/2023 - Approved: 26/07/2023 - Published: 25/01/2024

Publicado

24-01-2024

Como Citar

Espírito filosófico no drama tradicional chinês. (2024). Trans/Form/Ação, 47(4), e0240063. https://revistas.marilia.unesp.br/index.php/transformacao/article/view/14667