A animação chinesa, sua evolução e antecedentes culturais

Autores

Palavras-chave:

Calma de temperamento, Animação chinesa, Contexto cultural, Filosofia taoísta, Zhuangzi

Resumo

A filosofia é um sistema que analisa as crenças, os conceitos mais básicos e a calma de temperamento e julgamento próprios de um filósofo. Os filmes de animação chineses fizeram grandes incursões nos mercados mundiais, nos últimos anos, apesar do fato de o setor de animação da China ser apenas um adolescente em comparação com o seu homólogo de décadas, na filosofia japonesa. Embora alguns estúdios de animação criem conteúdos especificamente para o público internacional, a indústria de animação chinesa está principalmente preocupada com o mercado interno, porque acredita que a animação chinesa de alta qualidade tem potencial para se expandir. Artistas, filósofos e aqueles que trabalham nas indústrias criativas diretamente ligadas a isto têm um incentivo e um desafio para descobrir as histórias que podem ter sucesso nos mercados chinês e internacional. Neste artigo, analisam-se e se contrastam as características das filosofias de animação cinematográfica chinesas. Examinam-se tanto o contexto social quanto o cultural, o desenvolvimento econômico do mercado e o avanço tecnológico que moldaram o design filosófico da animação chinesa. As abordagens filosóficas avaliadas neste estudo são Donghua e Manhua, além da filosofia taoísta, exemplificada em Zhuangzi.

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Biografia do Autor

Shengchong Man, Communication University of Zhejiang

Ph. D. School of Animation and Digital Arts, Communication University of Zhejiang, Hangzhou, 310018 - China. ORCID: https://orcid.org/0000-0001-8494-5041.

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Received: 20/05/2023 - Approved: 21/06/2023 - Published: 10/01/2024

Publicado

05-01-2024

Como Citar

Man, S. (2024). A animação chinesa, sua evolução e antecedentes culturais. TRANS/FORM/AÇÃO: Revista De Filosofia Da Unesp, 47(4), e0240051. Recuperado de https://revistas.marilia.unesp.br/index.php/transformacao/article/view/14628