Dissociação e reimaginação: a publicidade da lei do casamento chinesa e da narrativa do divórcio na década de 1950

Autores

Palavras-chave:

Lei do Casamento Chinesa, Publicidade, Narrativa do divórcio na década de 1950

Resumo

Após a promulgação da Lei do Casamento da República Popular da China em 1950, as obras literárias geradas a partir das exigências da publicidade tiveram implicações políticas distintas e significado disciplinar. Dado que a questão do divórcio engloba tanto a lógica dos “direitos livres” como a sensibilidade da desordem social, a narrativa do “divórcio” durante este período está, em certa medida, situada entre a política e a realidade. Por um lado, as obras literárias devem defender positivamente o conceito legal de “liberdade do divórcio”, enquanto, por outro lado, também devem passar por um processamento narrativo delicadamente matizado para contornar sensibilidades. Consequentemente, a representação das narrativas de divórcio é caracterizada pela ambiguidade e pelo capricho. No entanto, a literatura conseguiu, até certo ponto, colmatar o fosso entre a lei e a realidade, ao reimaginar as dificuldades genuínas desencadeadas pelo divórcio.

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Biografia do Autor

Yingyu Luo, Xiamen University

Ph. D. Department of Chinese Language and Literature, Xiamen University, Xiamen, 361005 - China. ORCID: https://orcid.org/0009-0004-4819-9909.

Chao Han, Ningbo Tech University

School of Media and Law, Ningbo Tech University, Ningbo, 315100 - China. ORCID: https://orcid.org/0009-0007-9698-759X.

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Received: 02/05/2023 - Approved: 28/06/2023 - Published: 10/01/2024

Publicado

05-01-2024

Como Citar

Luo, Y., & Han, C. (2024). Dissociação e reimaginação: a publicidade da lei do casamento chinesa e da narrativa do divórcio na década de 1950. TRANS/FORM/AÇÃO: Revista De Filosofia Da Unesp, 47(4), e0240056. Recuperado de https://revistas.marilia.unesp.br/index.php/transformacao/article/view/14535