Description and Information Representation of Works of Art in Museum Collections
DOI:
https://doi.org/10.36311/1981-1640.2023.v17.e023054Keywords:
Art description, Representation of information in art, Museology, Museological objects, Metadata schemasAbstract
Representation of information in art faces a problem, the lack of depth in descriptions. The present study has a quantitative approach, descriptive character, experimental design and cross-sectional. Its objective is to analyze the process of description for the representation of information about works of art in museum collections. Among its methodological procedures are individual in-depth interviews, as a method for data collection and guided technical visits. To achieve its purpose, the DOMUS ARTIUM; Museum of Salamanca; Art Nouveau and Art Deco Museum - Casa Lis; Salamanca Cathedral Archive; and the National Museum of Fine Arts of Cuba collections are characterized and description practices of the selected institutions are analyzed, through the websites and databases. Description behavior lacks the required level of depth. Therefore, languages, norms and conceptual models for description must be used coherently and evolve even further. Application of semantic and interdisciplinary methods is extremely important to achieve a more precise and logically structured sense of information, to reveal new knowledge and to offer interoperable data on museological collections, which can be retrieved efficiently, thus for obtaining a greater depth in the study of works of art.
Downloads
References
Ballate, A. G., e Armas, Y. Un viaje de ida y vuelta: Colección de Arte Contemporáneo Cubano. Luciano Méndez Sánchez. DOMUS ARTIUM 2002, 2019, http://domusartium2002.com/FILE/EXPOSICION/DA2_exposicion_un_viaje_de_ida_y_vuelta_luciano_mendez_sanchez__2019.pdf. Acessado 24 maio 2021.
Boyce, C., e Neale, P. Conducting in-depth interviews: a guide for designing and conducting in-depth interviews for evaluation input. Pathfinder, 2006, https://nyhealthfoundation.org/wp-content/uploads/2019/02/m_e_tool_series_indepth_interviews-1.pdf. Acessado 22 maio 2023.
Brasil. Instituto Brasileiro de Museus (IBRAM). Plano de Integridade do Instituto Brasileiro de Museus [versão 1], 2018, https://repositorio.cgu.gov.br/handle/1/65283. Acessado 24 nov. 2023.
Brasil. Instituto Brasileiro de Museus (IBRAM). Portaria Ibram nº 215, de 4 de março de 2021, 2021, https://www.in.gov.br/web/dou/-/portaria-ibram-n-215-de-4-de-marco-de-2021-306757459. Acessado 24 nov. 2023.
Brasil. Instituto Brasileiro de Museus (IBRAM). Resolução Normativa nº 2, de 29 de agosto de 2014, 2014, https://www.gov.br/museus/pt-br/assuntos/legislacao-e-normas/outros-instrumentos-normativo/resolucao-normativa-no-2-de-29-de-agosto-de-2014. Acessado 24 nov. 2023.
Brasil. Instituto Brasileiro de Museus (IBRAM). Resolução Normativa Ibram nº 6, de 31 de agosto de 2021, 2021, https://www.gov.br/museus/pt-br/assuntos/legislacao-e-normas/outros-instrumentos-normativo/resolucao-normativa-ibram-no-6-de-31-de-agosto-de-2021. Acessado 24 nov. 2023.
Campos, M. L. A. “Modelização de domínios de conhecimento: uma investigação de princípios fundamentais”. Ciência da Informação, vol. 33, no. 1, pp. 22-32, 2004, https://www.scielo.br/j/ci/a/CyYd3Km3xzTdmf5DzxxQd3h/?lang=pt. Acessado 14 jun. 2023.
Catedral de Salamanca. La Catedral Vieja, 2019a, https://catedralsalamanca.org/catedral-vieja/. Acessado 25 maio 2021.
Catedral de Salamanca. Proyectos en desarrollo, 2019b, https://catedralsalamanca.org/archivo-y-biblioteca/proyectos-en-desarrollo/. Acessado 25 maio 2021.
CER.ES. Red digital de colecciones de museos de España, c2021, http://www.culturaydeporte.gob.es/cultura/areas/museos/mc/ceres.html. Acessado 7 fev. 2021.
DOMUS ARTIUM 2002. Presentación, c2021, http://domusartium2002.com/. Acessado 21 maio 2021.
Ferrez, H. D. “Documentação museológica: teoria para uma boa prática”. CADERNOS de ensaios: Estudos de Museologia, no. 2, 1994, pp. 64-73, https://meumuseu.files.wordpress.com/2011/01/documentac3a7c3a3o-museolc3b3gica-helena-dodd-ferrez.doc. Acessado 15 jan. 2023.
Junta de Castilla y León. Museo de Salamanca. Historia, c2021, https://museoscastillayleon.jcyl.es/web/es/museosalamanca/museo-salamanca.html. Acessado 24 maio 2021.
ICOM - International Council of Museums. El ICOM anuncia la definición alternativa del museo que se someterá a votación, 2019, https://icom.museum/es/news/el-icom-anuncia-la-definicion-alternativa-del-museo-que-se-sometera-a-votacion/. Acessado 26 maio 2023.
Larrazábal, M. C., et al. Museo Nacional de Bellas Artes, La Habana, Cuba. Colecciones de Arte Universal. Editorial Letras Cubanas, e Editorial Varona: Caja Durero, 2001.
Medeiros, M. B. B., e Café, L. M. A. “Organização da Informação ou Organização do Conhecimento?”. Anais eletrônicos do IX Encontro Nacional de Pesquisa em Ciência, Universidade de São Paulo, 2008, http://hdl.handle.net/20.500.11959/brapci/176535. Acessado 14 jun. 2023.
Museo Nacional de Bellas Artes de Cuba. Manual de Organización, 2016-2018. 46 p.
Museu Art Nouveau e Art Déco - Casa Lis. El Museo, c2021. http://www.museocasalis.org/nuevaweb/lang/es/museo/museo-artes-decorativas. Acessado 21 maio 2021.
Padilha, R. C. A representação do objeto museológico na época de sua reprodutibilidade digital, 2018, https://repositorio.ufsc.br/handle/123456789/187088, Universidade Federal de Santa Catarina, Tese de doutorado em Ciência da Informação. Acessado 12 ago. 2022.
Thornes, R., Dorell, P., e Lie, H. Introduction to Object ID: Guidelines for Making Records that Describe Art, Antiques, and Antiquities, Getty Information Institute, 1999, https://www.getty.edu/publications/resources/virtuallibrary/0892365722.pdf. Acessado 22 maio 2023.
Tonel, A. E., et al. Museo Nacional de Bellas Artes, La Habana, Cuba, Colección de Arte Cubano, Museo Nacional de Bellas Artes, 2013. 328 p.
Downloads
Published
Issue
Section
License
Copyright (c) 2023 Beatriz Tarré Alonso, Camila Monteiro de Barros, Renata Cardozo Padilha
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
When submitting an article, the authors retain the copyright of the article, giving full rights to the Brazilian Journal of Information Science to publish the text.
The author(s) agree that the article, if editorially accepted for publication, shall be licensed under the Creative Commons Attribution-ShareAlike 4.0 International (CC BY-SA 4.0) license (http://creativecommons.org/licenses/by-sa/4.0) Readers/users are free to: - Share — copy and redistribute the material in any medium or format - Adapt — remix, transform, and build upon the material for any purpose, even commercially. The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms: - Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. - ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits. Notices: - You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. - No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.
Creative Commons Attribution-ShareAlike 4.0 International License.
