Plataforma digital para difusão dos acervos de arquitetura e design da FAUUSP
DOI:
https://doi.org/10.36311/1981-1640.2021.v15.e02125Keywords:
Digital platform; Collections; Architecture; Design; FAUUSPAbstract
This article presents the collections of the Faculty of Architecture and Urbanism of the University of São Paulo and describes the results obtained from the implementation of an online interface for FAUUSP collections, developed with the Omeka S platform for sharing and collaborating with organized and structured data and information. As part of the discussion, it summarizes the historical moment in which the importance of the design and architecture archives, and collections is discussed, raising the history of the institution’s catalogue and covering issues involving their online dissemination. A special topic of metadata, specifically Dublin Core, the standard adopted by FAUUSP, is also presented. Results are commented and perspectives for the continuity of the platform are also discussed.
Downloads
References
Anastassakis, Z. Refazendo Tudo: Confabulações em Meio aos Cupins na Universidade. Zazie Edições, 2020.
Avrami, E., editor. Preservation and the New Data Landscape. Columbia Books on Architecture and the City, 2019.
Beiguelmann, G., and Magalhães, A. G., editors. Futuros Possíveis: Arte, Museus e Arquivos Digitais. Edusp, 2014.
Borko, H. “Information Science: What Is It?”. American Documentation, vol. 19, no. 3, 1968, pp. 3–5.
Botelho, A. Do Fordismo à Produção Flexível: O Espaço Da Indústria Num Contexto de Mudanças Das Estratégias de Acumulação Do Capital. Annablume, 2008.
Brito, G. F., et al. “A Biblioteca Da FAUUSP e Sua Coleção Iconográfica.” Coleção Elisiário Bahiana, edited by J. T. C. Lira, LPG-FAUUSP, 2019, pp. 7–8.
Colomina, B. Introduction: On Architecture, Production and Reproduction. Princeton Architectural Press, 1988.
Cooper, A., et al. About Face: The Essentials of Interaction Design. John Wiley & Sons, 2014.
DCMI Metadata Terms. Dublin Core Metadata Initiative: Innovation in Metadata Design, Implementation & Best Practice. 2020, https://www.dublincore.org/specifications/dublin-core/dcmi-terms. Accessed 30 Sept. 2020.
Dragon, P. M. “Form and Genre Access to Academic Library Digital Collections.” Journal of Library Metadata, vol. 20, no. 1, 2020, pp. 29–49.
Dworecki, S. M., and Pan, R. M. Todos Os Olhos. 2015, http://intermeios.fau.usp.br/admin/static/upload/2015-05-11T17:33:59.355130-6a04526fe806d7cf7bed8113054f0468-.pdf. Accessed 30 Oct. 2020.
Fallan, K. Design History: Understanding Theory and Method. Berg, 2010.
FAUUSP. Acervos Da Faculdade de Arquitetura e Urbanismo Da Universidade de São Paulo. 2020, http://acervos.fau.usp.br/. Accessed 30 Oct. 2020.
“Fotovideofau”. 2020, https://www.fau.usp.br/apoio/fotovideofau/. Accessed 30 Oct. 2020.
IIIF. International Image Interoperability Framework: About. 2020, https://iiif.io/about/. Accessed 06 Nov. 2020.
“Intermeios”. FAUUSP, 2013, http://intermeios.fau.usp.br/intermeios. Accessed 30 Oct. 2020.
Lanna, A., and Castro, A. “FAU 70 Anos: Exposição Comemorativa Dos Setenta Anos Da Faculdade de Arquitetura e Urbanismo Da Universidade de São Paulo.” Vitruvius, vol. 17, no. 197.01, 2018, https://www.vitruvius.com.br/revistas/read/resenhasonline/18.197/6968. Accessed 30 Oct. 2020.
Lanna, A. L. D., and Brito, G. F. “Coleções Para Pesquisa e Extensão o Acervo de Arquitetura, Urbanismo e Design Da FAU/USP.” Ocupação Rino Levi: Exhibition Catalogue, Itaú Cultural, 2020, pp. 60–61.
Lanna, A. Os Frutos de Um Valioso Acervo Em Arquitetura e Urbanismo. Jornal da USP, 2020, https://jornal.usp.br/cultura/os-frutos-de-um-valioso-acervo-em-arquitetura-e-urbanismo. Accessed 30 Sept. 2020.
“Leaflet”. 2020, https://leafletjs.com/. Accessed 06 Nov. 2020.
LPG – Publicação e Produção Gráfica. FAUUSP, 2020, https://www.fau.usp.br/apoio/lpg-publicacao-e-producao-grafica. Accessed 30 Oct. 2020.
Maron, D., and Feinberg, M. “What Does It Mean to Adopt a Metadata Standard? A Case Study of Omeka and the Dublin Core.” Journal of Documentation, vol. 74, no. 4, 2018, pp. 674–91.
“Omeka S”. 2020, https://omeka.org/s/. Accessed 18 Oct. 2020.
Open Archives Initiative. Protocol for Metadata Harvesting. 2020, https://www.openarchives.org/pmh/. Accessed 30 Oct. 2020.
Patteeuw, V., and Szacka, L. C., editors. Mediated Messages: Periodicals, Exhibitions and the Shaping of Postmodern Architecture. Bloomsbury, 2018.
Peyceré, D., and Wierre, F., editors. Architecture et Archives Numériques: L’architecture à l’ère Numérique: Un Enjeu de Mémoire. Éditions Infolio, 2008.
Peyceré, D. The Gau:Di programme case studies on preservation of electronic documents. Athens, 2006, https://www.icam-web.org/data/media/cms_binary/original/1163002339.pdf. Accessed 16 Aug. 2021.
Pires, D. “Uso do Dublin Core na Descrição de Obras Raras na Web: a coleção da Biblioteca Brasiliana Digital.” Encontro de Estudos e Pesquisas Em Catalogação, 2012, https://repositorio.usp.br/bitstream/handle/BDPI/43413/Uso-do-Dublin-Core-na-descricao-de-obras-raras-na-web-a-colecao-da-Biblioteca-Brasiliana-Digital (1).pdf?sequence=1. Accessed 18 Oct. 2020.
“Portal de Busca Integrada”. 2020, https://www.buscaintegrada.usp.br/. Accessed 18 Oct. 2020.
Rath, L. “Omeka.Net as a Librarian-Led Digital Humanities Meeting Place.” New Library World, vol. 117, no. 3–4, 2016, pp. 158–72.
Rink, K. “Displaying Special Collections Online.” The Serials Librarian: From the Printed Page to the Digital Age, vol. 73, no. 2, 2017, pp. 170–78.
Rosenfeld, L., et al. Information Architecture: For the Web and Beyond. O’Reilly Media, 2015.
Rozestraten, A., et al. “Arquigrafia: Ambiente Colaborativo Para o Compartilhamento de Imagens de Arquitetura: Procedimentos Metodológicos Junto Ao Acervo de Slides Da Seção Audiovisual Da Biblioteca Da FAUUSP.” Anais do 2° Seminário Nacional de Documentação do Patrimônio Arquitetônico com o Uso de Tecnologias Digitais (Arq-doc): Belém, UFBA, 2012, http://ccsl.ime.usp.br/pt-br/publicacao/2012/arquigrafia-ambiente-colaborativo-compartilhamento-imagens-arquitetura. Accessed 18 Oct. 2020.
Sakurai, T., et al. “Acervo David Libeskind MAB/FAUUSP: Constituição Por Meio Do Ensino, Aprendizado e Difusão.” Anais do 11° Seminário DOCOMOMO_BR: Recife, DOCOMOMO Brasil, 2016, http://seminario2016.docomomo.org.br/artigos_apresentacao/sessao 12/DOCO_PE_S12_SAKURAI_BRITO_ULIANA_MARQUES.pdf. Accessed 30 Oct. 2020.
Silva, J. M. C. “Um Acervo, Uma Coleção e Três Problemas: A Coleção Jacques Pilon Da Biblioteca Da FAUUSP.” An. Mus. Paul., vol. 24, no. 3, 2016, pp. 45–70, http://www.scielo.br/scielo.php?script=sci_arttext&pid=S0101-47142016000300045&lng=en&nrm=iso. Accessed 30 Oct. 2020.
Vidler, A. “O Campo Ampliado Da Arquitetura.” O Campo Ampliado Da Arquitetura, edited by K. M. Hays. Cosac Naify, 2013, pp. 243–251.
Willinge, Mariet and Murray, I. "Introduction: Connecting archive producers and a future user community: strategies for archival centers". Architecture et Archives Numériques: L’architecture à l’ère Numérique: Un Enjeu de Mémoire. Edited by D. Peyceré and F. Wierre. Éditions Infolio, 2008.
Downloads
Published
Issue
Section
License
Copyright (c) 2021 Gisele Ferreira de Brito, Eduardo Augusto Costa, Leandro Manuel Reis Velloso
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
When submitting an article, the authors retain the copyright of the article, giving full rights to the Brazilian Journal of Information Science to publish the text.
The author(s) agree that the article, if editorially accepted for publication, shall be licensed under the Creative Commons Attribution-ShareAlike 4.0 International (CC BY-SA 4.0) license (http://creativecommons.org/licenses/by-sa/4.0) Readers/users are free to: - Share — copy and redistribute the material in any medium or format - Adapt — remix, transform, and build upon the material for any purpose, even commercially. The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms: - Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. - ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits. Notices: - You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. - No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.
Creative Commons Attribution-ShareAlike 4.0 International License.
